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A
Short History of the Black Country Society
by Mick Pearson
The Society celebrated its 40th anniversary in late 2007, it
seems an ideal time to reflect on the achievements, successes
and personalities that formed and shaped it. As a relative "newcomer"
(although Black Country born and bred) I will be drawing on the
wealth of material contained within the pages of "The Blackcountryman"
and the many other publications the Society has had involvement
with.
Beginnings
The Black Country Society was founded in 1967 by enthusiasts
led by the late Doctor John Fletcher. Fletcher felt that the Black
Country did not receive its fair share of recognition for its
great contribution to the industrial development of Britain and
the world.
The Society grew out of the Dudley Canal Tunnel Preservation
Society (now the Dudley
Canal Trust), which had successfully campaigned to save Dudley
Canal Tunnel that had been threatened with closure by British
Waterways and British Rail. The tunnel is now a major attraction
of the Black Country Living Museum.
The stated aim of the Society was:
"To foster interest in the past,
present and future of the Black Country"
Its voice, at a specially called meeting on 6th October 1968,
was one of the earliest calling for the establishment of The Black
Country Living Museum; the Society and individual members have
continually supported it.
The Magazine
The quarterly magazine of The Black Country Society is called
"The Blackcountryman". In its first 36 years there have
been over 2000 authoritative articles on all aspects of The Black
Country by historians, researchers, teachers, students, experts
and (possibly most importantly) ordinary people with extraordinary
tales to tell. (If you have a tale to tell about the Black Country
please contact either the website editor or the magazine editor
at the email address at the foot of this article- full credit
will be given for your work).
In addition to the articles over 600 books written during the
period on Black Country subjects have been reviewed in the magazine.
The complete (now into its 41st volume) collection constitutes
a unique resource for teachers, students and anyone with an interest
in the area. Several local libraries have complete collections,
and an on-line index
is available.
Some 2000 magazines are published each quarter, each of about
2000 members has a copy delivered, and there are a number of sales
outlets throughout the Black Country. The magazine is non-commercial
and nobody receives payment for articles, and this publication
is the most important function of the Black Country Society. The
best way to receive your magazine on a regular basis is to join
the Society, for only £12.50 (UK) or £25 (overseas)
you will receive your magazines for a year, and be able to take
part in the many events the Society also arranges.
Each magazine typically includes 10 or so substantial articles,
several lighter articles, occasional poetry, correspondence and
book reviews. It also contains programmes for various branches
of the Society and contact details for those branches. Back issues
of many of the magazines are available from the Society.
During the publication history of the magazine there have been
only 4 editors (including the current editor). This stability
has ensured that the magazine has retained a consistency in both
quality and content, testimony also to the quality of the editors
themselves. As you will see later, the magazine has developed
in both style and content, and takes advantage of more modern
printing techniques. To most readers the content of the magazine
is more important than glossy photographs, that said, colour is
now regularly being used within the pages of the magazine. What
must be remembered is that contributors are not paid for their
work, and the magazine is almost entirely funded by its membership.
Between 1968 and 1988 Harold Parsons
was the editor. From 1988 to 2001 Stan Hill
took over the mantle of editor, handing over the reins in August
2001 to David Cox. In 2002 the Society
also launched its own website, this is edited by Mike Pearson,
who now also edits the magazine.
Publication of "The Blackcountryman"
Volume 1, Number 1 of The Blackcountryman went on sale in 1967.
Being the first magazine must have been both daunting and exciting
for Harold Parsons. He started with
a blank canvas and was able to shape the magazine to suit his
style. Daunting, because being the first issue, he must have worried
about how the magazine would be received. With the Black Country
Society in its first year the emphasis on providing quality must
have been uppermost in his mind, later would come the fears of
not having enough quality content to fill the pages.
Some standards were set in that first issue that are still in
the magazine over 40 years later. The Editorial, Society News
and Book Reviews have all featured in every issue. After that
the editor had free rein over what material was included. Harold
Parsons himself published an article titled "On Behalf of
The Working Classes". He was supported by Dr. John M Fletcher,
founder of the Society who wrote about "Wednesbury Spots
and Boxes", and a second article that followed the declared
aim of the Black Country Society to the letter "What is the
Black Country?".
In the 1960s there was much ignorance about the phrase "The
Black Country". There was no boundary, no border, no official
recognition by way of signs. Fletcher quotes a Sunday newspaper
article stating that Wednesbury was a town in the Potteries!
Dr. Fletcher in the concluding paragraph of his article sums
up the problem:
"We can still speak of the Black
Country as that area lying on the southern part of the South
Staffordshire coalfield, although its boundaries today are not
so clearly defined and its activities no longer base themselves
on the exploitation of its mineral wealth".
On a lighter note, the first magazine contained
an article titled "In Search of Aynuck and Ali" by Heavy
Loader. There were also 3 poems, including "The Hurst Hill
Gardener", "The Black Country Foreman" and "The
Domino Mon".
Local dialect has always played a part
in the magazine, and the first issue was no exception. Harold
Parsons himself set the tone as you will see below as the Editorial
is reproduced.
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"When news of this publication
was first announced in the Press I received a letter of
approbation from a Black Countryman of whom I had never
heard. It ended with the words:
"All power ter yer elber,
ow'er kid"
- a simple, warm-hearted welcome of one Black Countryman
to another in support of a much needed enterprise.
That is what The Blackcountryman is: a much needed enterprise.
It is not some hastily conceived magazine launched optimistically
in the hope of creating a readership in an age saturated
with reading matter. The Blackcountryman HAS a readership.
Black Country folk who have long clamoured for their own
representative magazine.
"When is it coming out?" "Where can I get
it?" they have been asking.
Well, here it is.
The Blackcountryman is FOR the Black Country, ABOUT the
Black Country, and written mainly by people OF the Black
Country, yet is at the same time sufficiently wide in scope
and content to appeal to anyone with an interest in one
of the main centres of British heritage.
There is no apology for the number of times the words Black
Country appear within its pages. Nor is it grammatically
"to a comma or two," for the reason that many
of its contributors are not normally writers, their work
having been amended only slightly in the interest of clarity.
Like The Black Country Society to which it owes its inception,
The Blackcountryman is dedicated to promoting interest in
the past, present and future of the Black Country. Articles
in this issue range from a well-researched history of Sandwell
Priory, to a descriptive round-up of the patrons of a Tipton
pub. An authoritative article on government and local planning
appears along with a name-by-name survey of a Coseley cricket
team.
Yes, it is often parochial! But it will also be concerned
with what Black Country folk are doing in the field of industrial
technology, and about how their fingers reach out to span
the world with exports.
Whether you live and work in the Black Country or have
retired to the green belts, or even to other parts of the
country or abroad, you will find each quarterly issue of
The Blackcountryman of lasting and absorbing interest. Issues
will include ....
But why go on-
Yoh kon read, cor yer?"
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Comparing the first issue with the publication today there is
much that is still regularly featured. There is variety, humour
and poetry almost always find their way into the pages. The magazine
remains one of the most informative local productions, and has
been acclaimed as such. It continues to provoke debate about what
the "Black Country" is all about. Today, anyone travelling
through the region is in no doubt about where they are, there
are signs telling them. Black Country folk are proud of their
heritage. There is no greater insult to a Black Country mon (or
woman for that matter) to be called a "brummie" or someone
from "the midlands" Changes have been cosmetic, more
modern printing methods can now be used, colour photographs for
example.
It has taken time and effort to have the phrase recognised and
accepted at all levels. That hard work started in issue 1, and
continues today.
Black Country Society Branches
Dudley Branch - meets every 4th Wednesday at 7.30pm in the Black
Country Living Museum
Kingswinford Branch Local History Group) - meets on the 3rd Wednesday
of every month at 7.30pm, at the Church Centre, The Village, Kingswinford
(behind St. Mary's Church)
Wyre Forest Branch - meets every second Tuesday of the month
at 7.30pm at The Odell Centre, Park Street, Kidderminster. For
further information call 01562-883748
Industrial Archaeology Branch - meets on the second Monday of
each month at 8pm at Dudley Canal Trust, The Pumphouse, Peartree
Lane, Dudley. For further information ring Ron Moss on 01384-567411.
Mushroom Green Chainshop - has limited opening hours, please
email the editor for details. There are chainmaking demonstrations
where possible.
Harold Parsons
Harold was editor of The Blackcountryman from 1968 to 1988. His
"Portrait of The Black Country" (published by Robert
Hale, London 1986) went to both a re-print and a re-issue in paperback.
It is widely recognised as a standard general book on The Black
Country and is still available from the Society.
Harold was born in 1919 on the 23rd of April at 31 High Street,
Woodside in Dudley. He was the only child of Dudley parents, his
mother kept a shop in Dudley, his fathers' scoffing of the idea
of book learning possibly stimulated Harold's love of the written
word.
On leaving school Harold obtained a job in the office of Bayliss,
Jones and Bayliss in Wolverhampton. He stayed with the company
for 28 years, quietly exercising his writing skills. During the
Second World War Harold was made a clerk in the RASC, with time
on his hands he wrote two full-length novels that failed to attract
a publisher. His first literary effort he received payment for
was an account of the experience of a soldier returning to civvy
street ("As You Were" Chambers Journal, June 1948).
In January 1948 Harold married a Tipton girl, Joan Tearne. In
the early post-war years a paper shortage and depressed economy
meant that the supply of journalistic material for publication
exceeded the demand, and Harold decided he would have to exploit
other journalistic avenues to supplement his income.
Harold turned his writing skills to supplying materials for comic
strips, music hall comedians and broadcasters. Tommy Cooper, Morecambe
and Wise, Frankie Howerd, Benny Hill and Charlie Chester being
among those for whom he wrote. Harold achieved quite a reputation
as a humorist and such was the demand for work that he decided
to give up his job in Wolverhampton and become a full-time freelance
journalist. It was a move that required courage, but he was confident
he could be successful.
Never in the best of health, in 1965 Harold moved from Shavers
End to the clearer air of Kinver. Harold was a prodigious worker,
he did publicity and public relations work, wrote articles, edited
trade magazines and took on the editorship of The Blackcountryman.
Harold also became a publisher, Halmar Productions of 1 Cedar
Gardens, Kinver. The first of his volumes to appear was "Warwickshire
- History, People and Place" (published in 1975). There followed
further titles including, in 1982 his autobiography "Substance
and Shadow", a fascinating social document revealing the
character of the man.
The final volume of The Blackcountryman for which Harold was
responsible was Summer 1988 (volume 21 issue 3). His deteriorating
health forced him to give up, indeed in March 1989 when the Society
Vice-Presidency was conferred on Harold he was unable to climb
the stairs at the Saracen's Head in Dudley to accept the honour.
Harold continued to keep in close contact with the new editor,
Stan Hill, inducting him into his new office and keeping in close
contact with him. Harold continued to write to within a few days
of his death on the 7th May 1992. For years he had endured a debilitating
condition yet doggedly pursued his calling. He encouraged and
helped other writers, had many friends and admirers, one of them
being Black Country poet Jim William Jones who conducted his funeral
service at Stourbridge Crematorium and recited a poignant poetic
tribute he had composed.
Stan Hill
Stan succeeded Harold Parsons as Editor of The Blackcountryman
in October 1988 after 40 years in the teaching profession, the
last 20 of which he was Warden of Dudley Teachers Centre at Himley
Hall. There he was involved with teams of teachers introducing
local studies in schools. He continued as Editor until August
2002 after producing 53 magazines. He is Black Country Society
President for 2002-2003 and still works hard for the Society.
Born on the 21st March 1929 at West End in Brockmoor, Stan's
parents were Albert Edward Hill from Oldswinford and Ethel Cartwright
of Quarry Bank. Albert was a Royal Engineer in northern France
for most of the First World War, Ethel was "in service"
when she met Alfred.
In September 1934 Stan started school at Bent Street Infants
in Brierley Hill. It is said that Stan believed that on his return
from school on his first day that he would be able to read!
Stan qualified for King Edward's School (now King
Edwards College) in Stourbridge and started there in September
1940. Much of his spare time from age 11 was spent in the confines
of Brierley Hill railway station, assisting the porters with any
tasks that arose. He also delivered fish from the station to the
Central Fish and Chip shop at the top of Moor Street, receiving
9d for his effort from Mrs Preece (only 3d from her husband if
he received the delivery). Stan soon established himself both
with the station staff and other local traders to whom he delivered
goods from the station.
Stan's "work" on the railway ended in 1946 when he
went to Saltley Teacher Training College. He "lived"
in a cubicle in the original 1850 building. The 17 year old students
were surprised when the staff addressed them all as 'Mister'.
On the 30th June 1948 Stan was informed he had qualified as a
teacher.
Stan was offered his first job at Audnam School, Wordsley on
the 5th July 1948, he was received by J Arthur Bradley (Headmaster),
who influenced his career greatly. He 'filled-in' until November
when he reported to Seaforth Barracks, Liverpool to commence National
Service
Belfast was the location for Stan's initial 12-week training
course, after this was completed he was transferred to the Army
School of Education in Bodmin for a further 12-week Education
Instructor's Course. Quickly promoted to Corporal he soon passed
out as a Sergeant Instructor and was given a list of RAEC vacancies.
Originally to be posted to Hong Kong, Stan returned from embarkation
leave to be told he was being sent to London district, eventually
arriving at Tilbury Docks. Due to lack of work Stan was able to
catch an early train home each Friday afternoon to see his girlfriend
and also keep an eye on the local political position. After 18
months of National Service Stan was released in May 1950, returning
to Audnam School.
Stan had a great interest in local politics, he became Chairman
of Audnam Ward Labour Party. At the age of 23 he was a councillor
on Brierley Hill Urban District Council. In 1954 he became Chairman
of the Libraries and Arts Committee. On the 11th December 1954
he opened the new library at Kingswinford. In 1955 Stan became
Chairman of Brierley Hill Urban District Council, the biggest
in Staffordshire, he became the youngest civic head in the country,
aged 26.
Stan first became involved with the Black Country Society in
early 1971 when Dr. John Fletcher enrolled him as a member. There
soon commenced a long friendship with Harold Parsons and an invitation
in 1987 to succeed him as Editor of The Blackcountryman. Stan
was preparing for retirement from teaching after 40 years, aged
58 years. At the end of 1987 Stan attended a Black Country Society
committee meeting to inform them why he thought he could do the
job of editing their magazine.
Stan watched Harold prepare the Summer issue in 1988, and in
Autumn of that year produced his first edition. Harold remained
a positive critic for the next 4 years until his death in 1992.
A new feature added by Stan was that of biographies of Black Country
Personalities. Each quarter such people as Julie
Walters (Molly Weasley in Harry Potter and the Chamber of
Secrets), Sue
Lawley (current presenter of Desert Island Discs), Bert
Bissell (The "Grand Old Man of Ben Nevis") and Sir
Jack Hayward (Chairman of Wolverhampton
Wanderers FC) have featured. The list recently reached 57
and to commemorate this event a book has recently been published
featuring the first 57 personalities.
It is no coincidence that shortly after taking over as Editor,
Stan raised the stakes in the campaign to make the Black Country
Society better known. The phrase "The Black Country is now
a state of mind" was also first used by Stan in an article
in the Express and Star. The relationship with the newspaper has
continued to develop over the years and the Dudley Chief Reporter,
John Corser, is always one of the first to receive a new issue
of the magazine.
After a run of 53 editions of The Blackcountryman Stan decided
to retire once again, and in August 2001 handed over the "job"
of Editor to David Cox. This does not mean the end of Stan's work
however, he is still active within the Society. He was President
for the year 2002-2003 and continues to work on behalf of the
Society in the background. Long may Stan enjoy his active retirement.
David Cox
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David Cox
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David was born on the 7th October 1962. He has lived in Wordsley,
Stourbridge all his life. From 1981-1993 he worked as a clerk
at Midlands Electricity Plc. David studied at the University of
Birmingham full-time 1993-96 (gaining a BA (Hons) in Ancient History
and Archaeology). Between 1996 and 1998 he studied at Open University
part-time and gained his Masters with Distinction in Modern History.
From 1997-2001 David worked in the IT Department at Dudley MBC.
David has a PhD in Criminal Justice History from Lancaster University
and has given numerous conference papers, and also had articles
published in a variety of journals, including The Police History
Society Journal, Brewery History Journal, and Transactions of
Alveley Historical Society. He first submitted an article to The
Blackcountryman in Summer 1997 (vol. 30 no. 3), and after submitting
several further articles, was subsequently approached by Stan
Hill as his possible successor.
In 2000 David was co-opted onto the Committee, and appointed
Editor of The Blackcountryman in September 2001, his first edited
issue being Winter 2001 (vol. 35 no. 1). In 2002, he prepared
Stan Hill's "57 Black Country People" for publication.
David's hobbies include birdwatching, cycling and walking. David
handed over the reins of the magazine to Mike Pearson after he
successfully published the 150th issue.
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Articles in The Blackcountryman:
Greensforge Roman Sites (Summer 1997)
Wordsley Brewery (Winter 1997/8)
Wordsley Workhouse (Summer 1998)
Amblecote Hall (Autumn 1999)
Bow Street Runners in The Black Country (Winter 1999/2000)
'Damn her, if her won't go, chain her to the post!' - the
strange case of Eliza Price (Winter 2001)
Living History 1 - Morwellham Quay (Winter 2001)
A Peep into Futurity (Spring 2002)
John Finch of Dudley and the First Liverpool Co-operative
Society (Summer 2002)
The Red House Glass Cone (Summer 2002)
Civil Unrest in the Black Country 1750-1837 Part One - The
'Bread & Butter' Riots of 1766 (Autumn 2002)
Civil Unrest in the Black Country 1750-1837 Part Two - The
Colliers' March of 1816 (Winter 2002)
From What I See - the art of Christopher Firmstone (Winter
2002)
The Tipton Slasher and the American Giant (Spring 2003)
Living History 2 - The Lunt Roman Fort, Coventry (to be
published Summer 2003)
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