A Black Country Radical:
The Poetry of John Cornfield
By Paul McDonald
Many people
will be aware that the most famous poet to have emerged from Bilston
is Henry Newbolt (1862-1938) . The latter achieved an international
reputation and, while he is out of favour nowadays, he is still
a familiar name. Much less familiar is John Cornfield. Cornfield
was born a short distance from Bilston in the Hurst Hill area
of Coseley. Details are sketchy but his birth date seems to be
1827. He worked both as a brick-manufacturer and as a pawnbroker
in his time, but struggled to make a success of either occupation.
He does seem to have had a high profile in the community, however,
and was very active in public affairs - he was a member of the
Dudley Board of Guardians, and was heavily engaged local politics.
He was also a committed Wesleyan. Religion and politics both feature
heavily in Cornfield's principal publication: Allan Chace and
Other Poems (1877). This is a very interesting little volume indeed
and I'd like to briefly discuss it here.
The title
poem is an epic narrative that relates the adventures of Allan
Chace - a troubled idealist who is dismayed at the injustice he
sees around him in England. He searches for answers in radical
philosophy and revolutionary politics, encouraging the working
classes to rebel. After accidentally killing a policeman, Chace
attempts to flee to America, but is injured in a shipwreck. He
is befriended by a young woman, Flora, and undergoes a religious
conversion. He marries Flora and decides to make good his trip
to the New World to preach. Unfortunately he is wounded en route
once more and, this time, fails to recover. The poem is a very
bleak one, though it ends with a celebration of the liberating
potential of Wesleyan values, the hero is thwarted in his attempts
to put them into practice. Cornfield's assessment of British society
is pretty pessimistic also, the country is characterised by oppression,
corruption and the exploitation of the working classes:
O
Debt! Thou art the honest poor man's hell
And want is thy inexorable devil,
That prowls where honest poverty doth dwell,
And in its utter ruin loves to revel
One of the
things that impressed me about Cornfield is his apparent commitment
to social reform. This is underpinned by an egalitarian spirit
that is occasionally reminiscent of Shelley:
all
are brethren, and have equal share,
And should by all means equally possess
The earth, and all there is in sea and air;
Why then should a few tyrants grasp the whole,
And bind their brethren in the chains of fate
To toil for them incessant, while they dole
The bitter bread which daily they must eat?
These lines
were written at a time when England was profoundly divided socially,
and enthusiastically pursued its colonial interests overseas.
Certainly in his fierce opposition to this, Cornfield showed that
his politics were more progressive than Henry Newbolt's. He was
a radical in other words and, indeed, some of his views must have
seemed quite eccentric in the Black Country of the 19th Century.
For instance, again like Shelley, Chace advocates vegetarianism:
The
beasts of prey that roam the deserts wild
Are harmless, save when hunger's stern command
Compels them to destroy; but man, 'spoiled child',
Though God has given him with unsparing hand
Fruits, roots, and grain, his best and proper food,
Drags to his den, the slaughter-house, the beasts
He should protect, and murders in cold blood,
To serve his sensual maw with bloody feasts
TK Fellows,
in his 1928 account of Cornfield suggests that the writer was
an extremely troubled individual, occasionally in conflict with
members of the community - particularly authority figures. He
wrote a number of pamphlets attacking the Vicar of Sedgley, for
instance: one about the abuse of tithes, another criticising the
vicar's statement that the people of the area were "living
in gross darkness." It seems that Cornfield was quick to
champion the interests of the ordinary man - certainly sentiments
of this kind are reiterated throughout his book. He writes about
the exploitation of workers, women, and slaves with a force of
feeling that is often palpable. Though the verse is frequently
clumsy and prosaic, his sense of outrage gives it an energy and,
for me at least, an endearing quality. His passion and integrity
compensate for his lack of polish and lyrical acumen.
John Cornfield
seems to have been working on Allan Chace for many years before
it was published. In one of his endnotes, for instance, he suggests
that his anti-slavery remarks were written before 1865 when the
institution was abolished in America. It is also clear that he
lacked confidence in his abilities as a poet. In his introduction
to the book he explicitly states that he is "dissatisfied"
with the poems, and that he will leave it to the reader to judge
whether he has a gift or not. If not, he says he will stop writing:
"life is too short and it moments too precious to be spent
in trying to improve that which I do not possess." Cornfield's
obscurity as a poet would suggest that he was correct to be diffident
about his art. Yet in many ways Allan Chase is a powerful little
book, which deserves to be remembered. Also Cornfield himself
is definitely a noteworthy character, albeit a tormented one.
I have the impression that he let his sense of outrage get the
better of him and, eventually, it consumed him. It seems to have
contributed both to his difficulties in life, and his early death.
According to Fellows he committed suicide by drowning himself
in his own well - probably in 1890. This is a sad end for such
a staunch and high-principled Black Country writer.
A few weeks after the article appeared
in the magazine the following email arrived with some extra information.
The email is produced below, if anyone wishes to contact the author
please get in touch with me.
"I was delighted to read the article in the Autumn 2005
edition about the Coseley Poet John Cornfield. I have been researching
his life and was pleased that Paul McDonald captured the essence
of this troubled man. Your readers may be interested in a few
more facts about his life. He was, in fact, christened October
1820, the first child of his parents marriage a year earlier.
The dating of his birth as 1827 appears to stem from his first
published work "A Round Unvarnished Tale of the Exploits
of the Vicar of Sedgley", published in 1862, in which he
stated "I have lived in
the village half the years allotted as the period of man's existence
on earth" suggesting he was 35 years old. He had, in fact,
moved out of the village to live in Lower Tower Street, Birmingham
for a period in the 1840s. The reason for this is not clear, but
could be connected to his first child Ann
being born November 1842, barely a month after John's marriage
in October of that year.
John was without doubt an eccentric with a vivid imagination.
The "Round Unvarnished Tale" is an amazing 21 page tirade
against the Vicar of Sedgley which at one point suggests the aforementioned
less-than-Reverend gentleman must have imagined John to be living
on the moon!
Though his work is quite frequently laborious and clumsy, he
pours out his soul in his writing. This is nowhere more evident
than in two poems in the "Allan Chace" collection:"To
Jenny, in Heaven" and "To Jenny, on the second anniversary
of her interment". These two are the agonised outpourings
of his grief at the loss, in 1871, of his other daughter, Eliza
Jane, after a six month battle against tuberculosis. She was just
21.
That he committed suicide in December 1890 there is no doubt.
His business was in severe financial difficulties and for several
months his family and friends had feared to leave him on his own,
so strange was his behaviour. On the night of 6 December 1890
he left the house at 11.15pm. His daughter Ann and wife tried
to follow but were delayed by a broken door handle.
By the time they got outside he had disappeared. Neighbours were
called in to join the search but his body was not discovered until
the next day in a well on property he had previously owned but
had now sold. The opening to the well was very narrow and there
was no way anybody could have fallen in accidentally. His getting
into the well was, without doubt, a deliberate act.
His wife carried on his pawnbroking business until she died in
1893. There are no descendants. Their only surviving child, Ann,
died unmarried in 1903.
Although he was a noteworthy character, his poetry in his life,
as in death, was not highly rated; his obituary in the Dudley
Herald December 13th 1890 was over seventy lines long. It was
not, however, until line sixty-two that reference was made to
his writing with the brief mention" He was also of a literary
turn of mind, and published some of his productions in book form.".
Perhaps the time is ripe for a renewal of interest in the work
of this forgotten anguished man."
Allison Gale, Waterlooville, Hampshire
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